Monday 25 March: Premier Soundwave

Busy day today. Despite some hiccups on my website, I managed to rebuild a lovely Premier Soundwave from the early 80’s. I picked this kit up a few months ago and it didnt need that much work.



I removed all lugs and gave them a good clean and polish; The wrap was cleaned and polished on all drums. All internal washers were cleaned and the kit was re-assembled. 22,14,16 in a copper stripe. Birch shells with beech reinforcement rings. A lovely sounding kit.



An average Wednesday…

This morning the phone rang before the kettle had finished boiling. Monnow Valley Studios call – a client in for 10 days needed some metal snare drums urgently! Spent the rest of the morning going through snare drums and chatting to Steve Osborne about recording Olympic kits with one mic, among other things. It was quite nice that he remembered hiring a Luddy kit from me last summer. I left behind the ever reliable 70’s Ludwig 400 and 70s Slingerland COB. They said i’d saved the session, which felt good, I’ll be heading back next week to hear the results.


Back to my shop by 1 just in time to meet a customer who always turns up with some lovely drums to sell on his behalf. Today a hand hammered Yamaha Copper shell Roy Haynes signature snare, 14×5.5″. Beautiful.



3 pm – Stripped and cleaned an early 80’s Premier brass snare which needed shipping out to a customer (Geoff Barrow of Portishead). Clive Deamer (Radiohead, Portishead, Robert Plant) had the same snare from me last year, for use on a Portishead European tour. Geoff wanted one for the new album – looking forward to hearing it in action. 
Spent the rest of what was left of the day returning missed phonecalls and emails, whilst finishing a re-wrap on a 13″ Gretsch tom. Took a few pictures, had a quick whirl around a kit, drank some tea, munched a few biscuits then headed home for 6.


(Here’s a pic Clive sent me of his Vistalite kit with the brass Premier snare on last years Portishead European tour)


Introducing Dave Barbarossa

The first album I bought was ‘Dirk wears white sox’ by Adam and the ants.

A couple weeks ago I had the pleasure of meeting up with Dave Barbarossa who played on that record and lots of others since. He kindly agreed to answer some questions for fun.

He’s just written his first novel and has some cool drum projects on the horizon. So it’s my pleasure to introduce Dave Barbarossa…

Dave…At what age did you start drumming? What was the first kit/drum you were given?

Can’t be sure, because it was a while ago, ha ha, I started at around 15. I bought my first kit for about £50 00 in Archer Street in Soho,  the showroom/factory was next to a brothel. I’m pretty sure it was a very rickety old Hayman, silver, it was.

What were your early drumming days like?

I practised on the sofa to Roxy and Bowie on TOTP’s, one leg tucked under, the arm rest as a snare and the seat back as my  hi hat. It was the way their arms crossed over that intrigued me, I think.

What was the first kit you bought with your own money and why did you buy it? Where is it now?

It is probably a chipboard cupboard somewhere in Cumbria, the fixtures are cat food tins and bits of mobile phones.  I bought my first kit with the money I earned as a ‘messenger boy’ when I was 15.

Which drummers did you listen to growing up? Who influenced your style the most?

I was influenced by ‘records’ rather than players. I listened to a wide variety – I grew up with Latin at home (my old man’s fav), soul and reggae in Hackney and later, the ‘pop’ music of the 70’s.

And now, who are your top three drummers? Not based on technical merit, but you’re personal 3 favourites? (they  may not even be famous)

Wow…a ‘Sophie’s choice’ question. So many, many great drummers, aren’t there? As I sit here and type, I’ll be completely spontaneous and say, Charlie Watts for his amazing solidity and tightness in such a lose great band,  Billy Cobham because of his absurd ability but, for me, the most soulful and heroic is John Bonham.

Right, let’s talk drums…

Back to the beginning; what kit did you play in the early Ants days? What was your set up?

Blimey, I’ll have to look at the pics. A ‘Pearl’ it was; one rack (maybe two at some stage?) a floor tom, two crashes and a ride.

You went onto Bow Wow Wow and the ‘tribal’ drum sound epitomised your style. How did that sound come about and how did it develop with your playing? (I know Adam reckons he had this drum sound nicked by McLaren, you don’t have to discuss that if you don’t want to, or you can put the record straight, whatever!)

I’m sure Adam would never say that. Anyway, I was the drummer in his band….So, Malcolm gave me (and the other lads in the band) music from all around the world to listen to; jazz, folk, pop, rock and roll, classical, African, latin – untold obscure stuff. But still, I couldn’t give him the sound he wanted…or was dreaming of.  And here is a moment of genius from him, in a rage at my ineptitude, he stormed over, picked up my snare and hi hat and the literally hurled them at the wall. I had to sink or swim, snivel and go home or stand up and be counted. I just fell back into my afro/latin roots and produced that very strange trick I have.

Tell us a bit about this period; managed by Malcolm McLaren, clothes by Vivienne Westwood, doing lots of tv, touring the world….

A complete  dream. A brilliant four years doing all the things any young man could ever want. That’s all I’ll say.

You played North/Staccato drums for a while, I notice in the videos. They looked pretty far out, What were they like to play?

Ah yeah, the fat man’s trousers, they went bing bong bing, like the others. I don’t think my tech was delighted – I believe they weighed a fair bit.


Timbales became a prominent part of your set up, something I notice you still use today. Tell us about that

I just love the feel and response they give, they make me feel exotic, (even in the winter). I hit them and they play themselves.

Fast forward to the mid nineties and you were playing dance/pop music in Republica; and following that Chicane. What was your kit set up then (sizes/make/head choice) any electronics/triggers running? Was it limiting playing live to clicks and beats or liberating being able to give the songs more of an edge live?

I had a regular set up in Republica and an electronic kit in Chicane. I really enjoyed the discipline of playing other peoples music to a click track. The fact that your timing had to be faultless was a challenge I relished. It was a really good thing to have done on a ‘professional’ level.  Not the most creative though but, you can’t have it all.

Your still gigging now, currently playing in ‘Scant Regard’; has your kit set up changed much since ‘the beginning’ ?

I’ve returned to the BWW set up for ‘CAULDRONATED’ my current solo thing. Two timbales, a rack tom and a floor. (www.barbarossa

What about vintage gear? Have you got any nice kits tucked away?

I have some old bits in the loft but I ain’t going up that ladder in this weather. Love the stuff you do, mate. So very classic and evocative.

Thanks Dave. You’ve played with lots of other people over the years, both studio and live. Have you got a collection of snares?

Nope. I always go for a Ludwig Black Beauty. I know them. I don’t want to be messing about with tuning and mechanisms, I just want to play them.

What’s your ‘go to’ snare drum in the studio that always gets the job done?

see above.

And  your favourite live snare?

I refer the honourable gentleman…

You’ve done what a lot of musicians dream of; played on lots of records, toured the world, played huge venues and festivals etc. What advice would you give to young  players looking to have a career in music, either in a band or doing session work?

Love what you do, have a passion and respect but, not too much respect that you can’t ‘rip it up and start again’. Massively important that you keep an open mind – a conservative drummer is an accountant.

Could you share with us one moment from your career so far that is your defining moment, or your favourite memory.

I got a lot of those and a shit memory. But once, in Republica, the adverts were counting down on the Jay Leno show. Knowing that I was going to play live (to click) to squillions of Americans and I couldn’t fuck up, was a real bottle job. Got it done though.

And what track best represents you and your playing? What drum track sums up Dave Barbarossa?

I can say with confidence that there  isn’t one. This pleases me. It also is part of the advice I’d give to someone starting. You can always do better, play better, feel more on the next choon.

The present. You’ve just written your autobiography ‘Mud Sharks’. You’ve got some ‘drum projects’ in the pipeline… can you share a bit about these?

I’ve written a novel, not an autobiography. I’m very proud of it, staggered by how well it has done.   I have a new drumtastic project called ‘CAULDRONATED’  a blend of tribal trouble with a mysterious Italian drummer/vocalist…


Cool. Right some quick questions for fun….

Snare drum – metal or wood?

metal, I think. I think you need to very good to play a wooden one.

Your house is on fire, you can grab one drum – which one?

The one with a fire blanket in it.

Phone rings, you’ve got ½ hour to throw a kit in the car and do a dep gig.. what’s your ‘go to’ kit?

My Sonor  signature.

If you could own any drum kit, what would it be?

I’m ok with the one I’ve got.

First record you bought?

‘Pyjamarama’ Roxy Music

Best story you’ve heard/read about yourself?

I’d be a bit of a big head if I knew that.

Animal or Buddy Rich?

Buddy Rich.

Famous last words?

Thank you and goodnight

Thanks Dave.

For more info on Dave, his discography, his music, his current pojects check out

To buy his novel ‘Mud Sharks’ try here